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by Kate Bradshaw
January 29, 2009
Ozo good
Friday (Jan. 30), 7:30pm, Castle Theater, MACC
Unless you count layovers at LAX, I have spent all of three nights in California. One of those was in L.A. As my friend’s car closed in on the So Cal sprawl I realized that I recognized most of the city’s streets and suburbs from Frank Zappa lyrics, as Zappa routinely made fun of the city. And if it wasn’t “Plastic People,” “Billy the Mountain” or “San Ber’dino” that clued me into the existence of the city’s various features, it was
The Big Lebowski
(the only reason, thankfully, I’ve heard of In-N-Out Burger). As one of the six transplants on Maui that’s not from California it’s no surprise that I’m also one of the few people that hasn’t had much exposure to
Ozomatli
. This ultra-eclectic L.A.-based band is said to be somewhat of an encapsulation of the City of Angels, at least in the sense that they embrace sounds from every locale and every genre, from raga to reggae, from merengue to funk. They have served as
cultural ambassadors
and they’ve won a couple Grammys. I’m told that they put on an
absolutely killer show
the last time they were here, and this time they’ve reunited with conscious rapper Chali 2na. Call 242-7469 for tickets. $25/$30 day of show.
Tough times, great tunes
Saturday (Jan. 31), 3pm, Lahaina Civic Center
My cousin has a theory: the worse the economy, the better the music. A number of factors would undoubtedly contribute to this, including the fact that staring ruin in the face inspires us to write about things that aren’t petty. Indeed, the factors that led to the economic collapse are far better song lyric fodder than some random songwriter’s breakup. The bands in tonight’s lineup have been shunning such trifling subject matter for some time, and have the monikers to prove it. California surf punk outfit
Agent Orange
and Haiku-based hardcore punk band
Order of the White Rose
both derive their names from dark historical times. The first obviously gets its name from the Monsanto product used during the Vietnam War to clear jungle foliage, which caused severe genetic mutation in those exposed to it. The second band gets its name from a group of university students in WWII-era Germany who peacefully resisted Nazism. Other bands in this
all-ages show
’s lineup include
D.I.
and
Old Habits Die Hard
. Tickets available at Lahaina Skate Company, 967Ko in Kahului, Charley’s in Paia, through Ticketmaster or by calling 214-5152. $25/$35.
Smokin’ grass
Saturday (Jan. 31), 10pm, Casanova, Makawao
Upcountry is probably one of the best spots to check out a band like
Haiku Hillbillys
(who intentionally misspell “Hillbillys”), especially Makawao, given its history and cowboy aesthetic. Their sound in a nutshell: they borrow heavily from the outskirts of country, the outskirts that almost verge on bluegrass,
moaning fiddle
and all. Yet they are bluesy and hard-driven. The Dylan influence (more
Modern Times
than
Blonde on Blonde
) is apparent, and so is their musicianship. Guitarist and vocalist Randall Rospond and lead guitar player Tom Conway (of Gypsy Pacific Fame) use the elements at their fingertips to conjure a tasty
folk/gypsy/grass
sound you won’t find in any other act on-island. Rospond and the boys are some of the hardest working musicians on Maui; Saturday’s Casanova gig is an opportune time to show them some love. Rospond and Conway will also play an early evening show at Flatbread Wednesday, which will of course be a bit more mellow than the Saturday show. $10.
Food for thought
Wednesday (Feb. 4), 5 & 7:30pm, Castle Theater, MACC
The fact that more people appear to be paying attention to what they eat, where it comes from and the environmental impact of the purchases they make is kind of a double-edged sword. On one hand, it appears to reflect a conscious evolution, the collective realization of our limited resources and the grave harm that results from valuing profit over our basic need fulfillment. On the other, more douchely hand, given humanity’s track record, this shift may be borne of selfish motives; the desire of some for profit and of others to appear “with it.” Yet when a mass of people begins to embrace sensible bandwagons like the
sustainable food movement
, out of blind conformity or otherwise, perhaps it’s best not to look a gift horse in the mouth. This week’s
Candlelight Cinema
flick is a documentary called
Food Fight
that shows the origins of the sustainable food movement (okay, so it’s California chefs) that has so sweepingly impacted the way we read food labels and how much we have to fricking pay just to feel good about what we put on the table. $12.